My work was very abstract in nature throughout the ‘90s and still is, in part. Presently, however, I travel extensively to the Centre and/or North of Australia in an attempt to understand the essence of this land; bring the experiences back to my studio & develop a body of work (paintings) that incorporates my European roots with an understanding of the land in Australia.
My work is simultaneously abstract and representational, symbolic and figurative.
My most significant achievement as an artist would be to bridge the conceptual aspirations of the late sixties in Italy, to the desire of any Australian artist of European extraction to understand the essence of this land, without forgetting or denying my European descent.
My work was very abstract in nature throughout the ‘90s and still is, in part. Presently, however, I travel extensively to the Centre and/or North of Australia in an attempt to understand the essence of this land; bring the experiences back to my studio & develop a body of work (paintings) that incorporates my European roots with an understanding of the land in Australia.
My work is simultaneously abstract and representational, symbolic and figurative.
My most significant achievement as an artist would be to bridge the conceptual aspirations of the late sixties in Italy, to the desire of any Australian artist of European extraction to understand the essence of this land, without forgetting or denying my European descent.
My work was very abstract in nature throughout the ‘90s and still is, in part. Presently, however, I travel extensively to the Centre and/or North of Australia in an attempt to understand the essence of this land; bring the experiences back to my studio & develop a body of work (paintings) that incorporates my European roots with an understanding of the land in Australia.
My work is simultaneously abstract and representational, symbolic and figurative.
My most significant achievement as an artist would be to bridge the conceptual aspirations of the late sixties in Italy, to the desire of any Australian artist of European extraction to understand the essence of this land, without forgetting or denying my European descent.
My work was very abstract in nature throughout the ‘90s and still is, in part. Presently, however, I travel extensively to the Centre and/or North of Australia in an attempt to understand the essence of this land; bring the experiences back to my studio & develop a body of work (paintings) that incorporates my European roots with an understanding of the land in Australia.
My work is simultaneously abstract and representational, symbolic and figurative.
My most significant achievement as an artist would be to bridge the conceptual aspirations of the late sixties in Italy, to the desire of any Australian artist of European extraction to understand the essence of this land, without forgetting or denying my European descent.
