Widgets and Doohickies from a Camp Toolbox

Sophie Caligari, Sean Coyle, Gerwyn Davies and Xanthe Dobbie, curated by Dr Alison Bennett and Dr Ray Cook

This exhibition, curated by Dr Ray Cook and Dr Alison Bennett, considers camp to be an unstable suite of strategies available to the non-mainstream. Working models of camp become tools for artists, individuals and communities alike to negotiate assertive pathways through marginalisation.

Art Exhibition currently on at RMIT:ART:INTERSECT in Victoria, Australia.
From Thursday 31 January 2019 to Saturday 02 March 2019
Launch Thursday 31 January 2019, 5-7pm

Gerwyn Davies image

Published by anonymous on Tuesday 29 January 2019.
Contact the publisher.

Definitions of camp are many and varied. Susan Sontag claimed that it is a passive, apolitical worldview providing homosexuals with solace in isolation. Moe Meyers’ declared camp stood in opposition to compulsory heteronormativity, and also to the capitulation by gay and lesbian assimilationists. For Meyer, camp is queer praxis and heterosexual appropriations are theft.

This exhibition, curated by Dr Ray Cook and Dr Alison Bennett, considers camp to be an unstable suite of strategies available to the non-mainstream. Working models of camp become tools for artists, individuals and communities alike to negotiate assertive pathways through marginalisation. Historically the contents of the camp toolbox have been used to construct affirmation, connection, languages of dissent, the articulation of subcultural particularity—these are tools with which to acquire social and cultural space. Traditionally the toolbox has included fatalism, euphemism, theatricality, irony, exaggeration and the strategic pretence of incomprehension. All ideal instruments to invert mainstream hierarchies of value and taste.

The contours, dimensions and textures of sexual and gendered subcultures have been transformed by new social attitudes with levels of legitimacy that would be unthinkable only a few years ago. Though as LGBTIQA+ identities and cultures mainstream, new inequalities emerge, new generational and factional discontinuities and dissonance arise. This exhibition asks what insights might be gained from a look in the toolbox of a number of artists who approach their task from a variety of vantages.

This exhibition is a part of the 2019 Midsumma Festival.

Location

RMIT Project Space Spare Room
RMIT Building 94, Level 2
23-27 Cardigan Street, Carlton
E intersect.rmit.edu.au
P 9925 4971