eX de Medici

sweet complicity

sweet complicity is eX de Medici’s first and much anticipated exhibition at Karen Woodbury Gallery. The exhibition will comprise of three monumental pen, ink and mica works on archival paper. These works examine recurring themes in her practice such as power, war, death and violence via a decorative feminine veneer and aesthetic.

Art Exhibition previously on at Karen Woodbury Gallery in Australia.
From Wednesday 30 September 2009 to Saturday 24 October 2009

Send more meat image American Sex image Tooth and Claw image

Published by Karen Woodbury Fine Art on Monday 21 September 2009.
Contact the publisher.

The recurrent use of symbolism in the form of weapons, skulls and garlands in her work re-appear with the addition of Chinese imagery (Imperial golden dragons, China’s five-pointed star, and the use of chrysthanthemums). These potent works display a latent interest in scientific illustration and allude to de Medici’s characteristic stylized tattoo motifs that stems from her work as a tattooist. The almost obsessive repetition of pattern and immense detailing display eX’s dedication to her practice through the strong mental and physical commitment required to complete such awe-inspiring artworks that seduce the viewer.

There is an unmistaken polemic tone in de Medici’s practice that cannot be ignored. Different cultures, identities, actions and consequences are represented and centred on objects of warfare, allowing for disguised and layered political and moral statements.

eX lives and produces much of her work in the nation’s capital Canberra. Streams of influences inform the work; Canberra’s political and physical agendas, research resourced from various national institutions such as the CSIRO Entomological and Taxonomy Division, the National Library of Australia and the Australian War Memorial. She has recently returned from the Solomon Islands where she was chosen as an official war artist. This experience has allowed political ideas to continue within her practice.