CULTURE AND CONTINUITY: THE JEWISH JOURNEY

Culture and Continuity: The Jewish Journey is comprised of close to 800 works. This vibrant, two-floor exhibition examines the Jewish experience as it has evolved from antiquity to the present over 4,000 years.

Art Exhibition previously on at The Jewish Museum in New York, United States.
From Sunday 01 January 2012 to Monday 31 December 2012

Published by anonymous on Wednesday 18 July 2012.
Contact the publisher.

Visitors to the 4th floor see the Ancient World galleries, featuring archaeological objects representing Jewish life in Israel and the Mediterranean region from 1200 BCE to 640 CE, and a dazzling installation of selections from the Museum’s renowned collection of Hanukkah lamps. On the 3rd floor alone close to 400 works from the 16th century to the present are on view in this dramatic and evocative experience.

Portrait of Fanny Mendelssohn Hensel, 1842, by 19th century German artist Moritz Daniel Oppenheim, has been added to the “Modernity” section of Culture and Continuity. The subject of this portrait was the sister of famous composer Felix Mendelssohn-Bartholdy, a talented composer and musician in her own right. Fanny Hensel was the wife of a fellow painter, Wilhelm Hensel, whom Oppenheim met in Rome with the Nazarenes.Oppenheim, widely recognized as a portraitist, is known as the first Jewish artist to have benefited from the Emancipation, when new civil rights permitted Jews entry into academies of art for the first time in Europe. Extensively patronized by the Frankfurt branch of the Rothschild family, Oppenheim characterized himself (immodestly) as “a painter to the Rothschilds and the Rothschild of painters.”

Other highlights of Culture and Continuity include: a pair of silver Torah finials from Breslau, Germany (1792-93) reunited at The Jewish Museum after sixty years of separation; paintings by such artists as Marc Chagall, Max Weber, Moritz Daniel Oppenheim, Isidor Kaufmann, Morris Louis, and Ken Aptekar; prints by El Lissitzky; and a sculpture by Elie Nadelman. A display of 36 Torah ornaments allows the viewer to compare artistic styles from different parts of the world. It features lavishly decorated Torah crowns, pointers, finials and shields from Afghanistan, Algeria, Austria, France, Germany, Great Britain, Hungary, Ottoman Empire (Greece and Turkey), Georgia (of the former Soviet Union), Morocco, Israel, Italy, The Netherlands, Persia, Poland, Russia, Tunisia, the United States, and Yemen.

A suite of classic post-World War II works originally designed by renowned architect Philip Johnson and the prominent Abstract Expressionist sculptor Ibram Lassaw for Congregation Kneses Tifereth Israel in Port Chester, New York, is also on view in Culture and Continuity. Included are sections of a large wall sculpture/bimah screen, the eternal lamp, the Torah ark, and two of the four bimah chairs.

Television excerpts from the Museum’s National Jewish Archive of Broadcasting are also included. The entire exhibition is accompanied by a series of thematic, random access audio guides using MP3 technology.