György Kepes

Discover the ground-breaking photography of artist, designer and educator György Kepes (1906–2001).

Art Exhibition previously on at Tate Liverpool in Merseyside, United Kingdom.
From Friday 06 March 2015 to Sunday 31 May 2015

Leaf and Prism 1938 image

Published by anonymous on Thursday 15 January 2015.
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The first solo exhibition of his work in the UK will explore how he worked across disciplines, experimenting with photography, art and science. György Kepes will showcase 80 of his photographs, photomontages and photograms produced during his time in Chicago, around 1938-42.

Kepes’s photograms, made without a camera, were instead produced in the darkroom by arranging and exposing objects directly on top of light-sensitive paper. The subjects – such as leaves, eyes, feathers and cones and prisms – reflected Kepes’s varied interests and included scientific and mechanical items alongside objects from the natural world.

Invited by Massachusetts Institute of Technology (MIT) in 1947 to found a programme for visual design, Kepes’s theories transformed how students approached the visual landscape. In 1967 Kepes fulfilled his vision to build a community dedicated to creative collaboration between artists and scientists by launching the Centre for Advanced Visual Studies (CAVS), again at MIT. It was here that Kepes continued to experiment with imagery, producing work which laid the foundations for digital technology as we know it today.

The exhibition will also feature his pioneering group of six edited anthologies known as the Vision + Value series, which brought together essays by leading artists, scientists, musicians, designers and philosophers on topics including symmetry, rhythm and motion, nature and environmental arts and the social impact of design. Kepes’s influence is enduring. From former student Saul Bass’s stylised title sequences and posters for films by directors including Stanley Kubrick, Alfred Hitchcock and Martin Scorsese, to the annual Serpentine Marathon curated by Hans Ulrich Obrist, Kepes’s legacy continues to resonate.