Thalia Robertson - Topography and Absence

Gallery 2

Thalia Robertson’s current body of work elaborates on earlier collections that explored the themes of ephemerality and fragility in regards to environmental issues through the medium of painting.

Art Exhibition previously on at red gallery in Fitzroy-Collingwood precinct, Victoria, Australia.
From Wednesday 25 November 2015 to Saturday 12 December 2015
Launch Wednesday 25 November 2015, 6-8pm

Thalia Robertson, Landscape Study 2, oil on paper image

Published by red gallery on Saturday 14 November 2015.
Contact the publisher.

Her intention in this series of paintings is to gain a sensorial appreciation for the subject of glaciers and glacial environments through first hand experience.

New Zealand’s South Island, West Coast glaciers were visually recorded photographically then translated into works on paper. Glacial terrains and regions were explored on foot. Topography and Absence attempts to convey sensory impressions of the landscape within the broader context of ephemerality.

The melting of glaciers over the past century has opened out the landscape and created gorge areas once filled with ice. Many of the works focus on this negative space, which made a definite physical impression whilst moving through the landscape on route to the glacier. The glacial rock rubble called ground moraine, heaped up along the path into the gorge and some impressive vertical geological aspects are recorded through painting.

These glaciers, sublimely spectacular and in retreat, will inevitably disappear. Environment as an extension of self and identity is considered. Will the disappearance of glaciers as a direct result of human activity be felt and effect human identity ontologically or will they simply dissolve and be relegated as a distant memory? Perhaps as discussed by Manuel De Landa in his paper The Geology of Morals, nature has its own agency outside of human constructs with consideration of vast time frames and monumental geographical transitions. However we are not let of the hook. A duty of care to habitat or lack of it is of concern.

The sensory significance of walking the terrain in visual art practice can be traced to Richard Longs environmental works or Robert Morris’s shimmering mirrors splitting the picture plane are evoked. The fragile tones and painterly drawings of Luc Tuymans are also brought to mind.


red gallery
contemporary art space

157 St. Georges Rd
North Fitzroy 3068
03 9482 3550

Wednesday – Saturday 11-5pm