Njideka Akunyili Crosby: Before Now After (mama, Mummy And Mamma)

Over the course of the next five years, a series of public art installations by key American artists will appear across from the Whitney’s new building and the southern entrance to the High Line, on the facade of 95 Horatio Street.

Art Exhibition previously on at Whitney Museum of American Art in New York, United States.
From Monday 23 November 2015 to Friday 01 January 2016

Njideka Akunyili Crosby: Before Now After (mama, Mummy And Mamma) image

Published by anonymous on Sunday 22 November 2015.
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Njideka Akunyili Crosby is the third artist to present work as part of the series, which was initiated by the Whitney in partnership with TF Cornerstone and the High Line. This is the artist’s first solo presentation in an institution in New York.

Njideka Akunyili Crosby (b. 1983; Enugu, Nigeria) is a Los-Angeles based artist who makes large-scale, representational work that combines collage, drawing, painting, and printmaking. Her work routinely fuses both Nigerian and American influences and source material, reflecting on contemporary African life (often her family) along with her experience as an expatriate living in the U.S, and the inherent difficulty of navigating these two realms. The works simultaneously become intimate while more broadly exploring the cultural complications of the dual worlds that she inhabits.

Akunyili Crosby’s new work for the billboard, Before Now After (Mama, Mummy and Mamma), continues her ongoing exploration of her relationship to her family, and in this case to her sister, mother, and grandmother specifically. The image is closely based on an existing painting entitled Mama, Mummy and Mamma from 2014, now expanded for this site. Like much of her work, the composition fuses both a portrait (in this case of her sister), photographs of both her mother and grandmother, and an elaborate array of objects arranged carefully on the table, suggesting a still life composition. Additionally, the work’s placement at the foot of the Highline seems to implicate the viewer within Akunyili Crosby’s composition—now able to peer into this carefully composed and invented world reflective of her complex personal history.

This installation is organized by associate curator Jane Panetta.