Court and Cosmos The Great Age of the Seljuqs

One of the most productive periods in the history of the region from Iran to Anatolia (Turkey) corresponds to the rule of the Seljuqs and their immediate successors, from 1038 to 1307.

Art Exhibition previously on at Metropolitan Museum of Art in New York, United States.
From Wednesday 27 April 2016 to Sunday 24 July 2016

Court and Cosmos The Great Age of the Seljuqs image

Published by anonymous on Tuesday 23 February 2016.
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The Seljuqs were a Turkic dynasty of Central Asian nomadic origin that in short time conquered a vast territory in West Asia stretching from present-day Turkmenistan, Iran, Iraq, Syria, and Turkey. The lands controlled by the Seljuqs were not a unified empire, but controlled by various branches of the Seljuqs and their successor dynasties (Rum Seljuqs, Artuqids, Zangids, and others). Under Seljuq rule, the exchange and synthesis of diverse traditions—including Turkmen, Perso-Arabo-Islamic, Byzantine, Armenian, Crusader, and other Christian cultures—accompanied economic prosperity, advances in science and technology, and a great flowering of culture within the realm.

This landmark international loan exhibition will feature spectacular works of art created in the eleventh through thirteenth century from Turkmenistan to the Mediterranean. Approximately 270 objects—including ceramics, glass, stucco, works on paper, woodwork, textiles, and metalwork—from American, European, and Middle Eastern public and private collections will be shown. Many of the institutions have never lent works from their collections before. Among the highlights will be a dozen important loans from Turkmenistan, marking the first time that Turkmenistan as an independent country has permitted an extended loan of a group of objects to a museum in the United States.

Under the Great Seljuqs of Iran, the middle class prospered, spurring arts patronage, technological advancements, and a market for luxury goods. In contrast, in Anatolia and the Jazira (northwestern Iraq, northeastern Syria, and southeastern Turkey)—which were controlled by the Seljuq successor dynasties—art was produced under royal patronage, and Islamic iconography was introduced to a predominantly Christian area.

Furthermore, a number of artists had immigrated to the region from Iran in response to the Mongol conquest in 1220. Because patrons, consumers, and artists came from diverse cultural, religious, and artistic backgrounds, distinctive arts were produced and flourished in the western parts of the Seljuq realm.