The Suffering of Light by acclaimed American photographer Alex Webb is now available. This comprehensive monograph gathers some of Webb's most iconic images, many of which were taken in the far corners of earth. Featuring key works alongside previously unpublished photographs, this title provides the most thorough examination to date of this modern master’s prolific thirty-year career.
For over thirty-five years, James Welling has created beautiful and uncompromising photographs, and he continues to be lauded by photographers, artists, and critics for his influence on the contemporary generation of art photographers. James Welling: Monograph provides the most thorough presentation of the artist’s work to date.
Following on the heels of Martin Parr’s limited-edition, album-style presentation of Life’s a Beach, released last season, Aperture is delighted to introduce a new beach-bag-size version.
A Moscow-based photographer, Ovcharenko aims to narrow the distance between subject and viewer. In her work light and silence are the greatest allies, drawing the spectator in, as in the case of this intimate portrait of a young couple. Aperture has digital prints of the Artist's work for sale.
Mexican Portraits, co-published by Aperture and Fundación Televisa, includes more than 350 portraits by over eighty anonymous and well-known photographers, including Manuel Álvarez Bravo, Agustín V. Casasola, Romualdo García, Graciela Iturbide, and Enrique Metinides.
Justine Kurland’s Road Bunnies, 2012, is a new photograph of her son Casper taken at a campground in Wyoming. The title refers to “road dogs,” street-kid slang for the friends one travels with.
This volume is an essential addition to the Bechers’ body of work, devoted to their images of rock-processing plants and lime kilns taken in Germany, France, The Netherlands, Belgium, Switzerland, Austria, and Great Britain throughout the 1980s and ’90s.
Limited edition print. Kulok’s photographs free the subject matter from a literal interpretation of the site. They stand as ‘Equivalents’ to the words about material, light, and shadow that Louis Kahn often spoke.
