Heiner Goebbels is a male artist born in Germany, currently working in Germany.
Heiner Goebbels image

HEINER GOEBBELS, born on August 17, 1952 in Neustadt/Weinstrasse, lives since 1972 in Frankfurt/Main. He studied sociology and music.

While doing several record productions and many concerts with the Sogenanntes Linksradikales Blasorchester (76-81), the Goebbels/Harth-Duo (76-88) and the art-rock-trio Cassiber (82-92), he wrote at the same time theatre music (for Hans Neuenfels, Claus Peymann, Matthias Langhoff, Ruth Berghaus and others), film music (for Helke Sander, Dubini, and others) and ballet music (for the Ballet Frankfurt).

In the middle of the 80s he began composing and directing audio plays of his own, most of them based on texts by Heiner Mueller Verkommenes Ufer (Waste Shore), Die Befreiung des Prometheus (The liberation of Prometheus), Wolokolamsker Chaussee I-V (Volokolamsk Highway), Schliemanns Radio, Der Horatier/Roman Dogs/Chiens Romains and others.

After the staged concerts Der Mann im Fahrstuhl (Man in the Elevator) 1987, Die Befreiung des Prometheus (The liberation of Prometheus), 1991 and the concert for dancer Thraenen des Vaterlands (Tears of the fatherland), together with Christoph Nel/Ballet Frankfurt, 1986, he created together with Michael Simon the music theatre pieces Newtons Casino in 1990 and Roemische Hunde (Roman Dogs) in 1991 at the TAT in Frankfurt.

Since 1988 Heiner Goebbels composes chamber music for the Ensemble Modern (Red Run, Befreiung, La Jalousie) and the Ensemble Intercontemporain (Herakles 2).

In 1994 followed Surrogate Cities, a 90 minutes composition for big orchestra commissioned by the Alte Oper Frankfurt and performed of the Junge Deutsche Philharmonie, conductor: Peter Rundel. 1996, as a commision for Donaueschingen, he composed Industry & Idleness (premiere by Radiokamerorkest Hilversum, conductor: Peter Eotvos). Walden for extended orchestra was created in 1998 for the first tour of the newly founded Ensemble Modern Orchestra (conductor: Peter Eotvos).

Invitations to nearly all major theatre, new music, jazz and performing arts festivals and tours with all his ensembles, the productions for stage and the portrait concerts of the Ensemble Modern got him to more than 30 countries in the last 15 years. Lately about 10 CD productions were published.

In 1993 the music theatre piece Ou bien le débarquement désastreux (Or the hapless landing) was directed by him in Paris. In 1995 his music theatre piece Die Wiederholung (The Repetition, La Reprise – based upon motifs by Kierkegaard, Robbe-Grillet and Prince) was created in Frankfurt (Theater am Turm). His music theatre piece Schwarz auf Weiss (Black on White) was created at the TAT Frankfurt in 1996 for 18 musicians of the Ensemble Modern. It was filmed for Arte, recorded for BMG and the SWF and is still being shown in Europe and overseas.

In 1997 he participated in the Documenta X in Kassel with his musical theatre sketch Landscape with man being killed by a snake (September 97) and he created the music theatre piece Schliemann’s Scaffolding in Athens and Volos (September/October 97). His music theatre piece Max Black with Andre Wilms premiered in April 1998 in Lausanne, and together with the Ensemble Modern he created a tribute to Hanns Eislers’ 100th anniversary called Eislermaterial – a staged concert which was first shown in Munich in May 1998.

In 2000 Heiner Goebbels created the sound installations Timeios and Fin de Soleil at the centre Pompidou in Paris, the music theatre piece Hashirigaki in Theatre Vidy and the staged concert …même soir.- with Les Percussions de Strasbourg.

Nearly all of his music theatre works have been performed more than 50 times on the major music and theatre festivals in europe as well as in the USA, Japan, Australia and Singapur.

1994/95 guest professor at “Institut für Angewandte Theaterwissenschaft” University Giessen.
1997/98 guest professor at “Musikhochschule Karlsruhe – Kompositionsklasse”.

From April 1999 on, Heiner Goebbels works as a professor (and since 2003 as a managing director) at the Institute for Applied Theatre Studies of the Justus Liebig University in Giessen (Germany). He is in charge of several seminars and artistic projects, aswell as cooperative projects with the students of international institutions (in Italy, France, Austria, Denmark, Netherlands etc) . The institute inhabits a professional rehearsal stage and is equiped with a audio and video studios. The institute is as well dedicated to scientific research as to artistic practice (contemporary theatre and performance) and especially to the possibilities of linking both. (For further information please visit its homepage)

Since then he is widely engaged to advance the conditions and structures of contemporary theatre education being a cofounder of several cooperative structures like the Hessian Theatre Academy, the Hessian Film- and Media Academy, tanzlabor_21 and Frankfurt LAB. He also works in several boards for upcoming experimental artists.

In 2002 Heiner Goebbels premiered his first opera Landschaft mit entfernten Verwandten / Paysage avec parents éloignés / Landscape with distant relatives. In the context of his 50th birthday Heiner Goebbels released his first book “Komposition als Inszenierung”. Also ECM released a CD of Eislermaterial.

In 2003 Heiner Goebbels premiered his orchestra piece Aus einem Tagebuch (From A Diary) as a comission of the Berlin Philharmonics / conductor Sir Simon Rattle. The Berlin Philharmonics performed ten concerts with the music of Heiner Goebbels: two performances of Surrogate Cities in Lausanne and Berlin and many following concerts of Aus einem Tagebuch (From A Diary) in Salzburg, London, New York, San Francisco and others.

In 2004 he premiered his latest music theatre piece called Eraritjaritjaka – museé des phrases after words by Elias Canetti with the actor André Wilms and the Mondriaan String Quartett at the theatre vidy in lausanne.

Since 2006 Heiner Goebbels is President of the Theater Academy Hessen

In 2007 he premiered the performative installation Stifters Dinge – a music theatre producion without performers, musicians or actors. After the first 40 shows at the coproducing institutions in lausanne, berlin, luxembourg and frankfurt this piece will start an extended european tour in 2008.

In 2008 he premiered his latest music theatre production I went to the house but did not enter on the Edinburgh International Festival, with the Hilliard Ensemble and Texts by T.S.Eliot, Maurice Blanchot and Samuel Beckett.